{"id":21362,"date":"2022-04-14T12:13:54","date_gmt":"2022-04-14T07:13:54","guid":{"rendered":"https:\/\/www.bukhari.uz\/?p=21362"},"modified":"2022-04-14T12:13:54","modified_gmt":"2022-04-14T07:13:54","slug":"alish%d0%b5r-navoiyning-est%d0%b5tik-m%d0%b5rosida-milliy-g%ca%bboya-masalalarining-falsafiy-tahlili","status":"publish","type":"post","link":"https:\/\/bukhari.uz\/?p=21362&lang=oz","title":{"rendered":"ALISH\u0415R NAVOIYNING EST\u0415TIK M\u0415ROSIDA MILLIY G\u02bbOYA MASALALARINING FALSAFIY TAHLILI"},"content":{"rendered":"

Markaziy Osiyodan yetishib chiqqan mutafakkirlar ichida o\u02bbzining boy badiiy-estetik merosi bilan kelajak avlodlarga noyob asarlar qoldirgan davlat arbobi, shoir Alisher Navoiyni butun dunyo ahli yaxshi biladi. Bugungi kunda O\u02bbzbekistonda shoir badiiy ijodidan bahra olmagan inson topilmasa kerak. Uning boy estetik merosini milliy g\u02bboya va qadriyatlar bilan uyg\u02bbun ravishda o\u02bbrganish borasida juda katta ishlar amalga oshirilib kelinmoqda. Chunki yoshlarimiz o\u02bbz xalqi tarixini bilishi, shiorlarning badiiy-estetik merosini chuqur o\u02bbzlashtirishi va bugungi kunda amalga oshirilayotgan ijtimoiy taraqqiyotga befarq bo\u02bblmasliklari lozim. Shu tariqa xalqimiz Navoiyning faoliyatini, uning Vatan taraqqiyoti yo\u02bblida qilgan xizmatlarini, butun hayotini mamlakat va millat tarixi hayotidan tashqarida tasavvur etolmaganligini anglab yetadi. Shu asosda Navoiy jamiyatda har tomonlama yetuk komil insonni shakllantirish har bir davrning dolzarb masalasi ekanligini kun tartibiga qo\u02bbyadi.<\/span><\/p>\n

Uning asarlarida komil insonni kamol toptirishda falsafiy dunyoqarashga alohida e\u02bctibor qaratadi. Shoirning yaratgan asarlari, jamiyatda milliy g\u02bboyani rivojlantirishga oid fikrlari barcha insonlarni qiziqtirib kelmoqda. Jamiyatda komil insonni shakllantirish, mamlakat kishilarining sog\u02bb-salomatligi, jismoniy baquvvatliligiga, mustaqillikka munosabatini yuksaltirish borasida Navoiy yuksak ma\u02bcnaviy-axloqiy sifatlarga alohida e\u02bctibor qaratgan. Bu borada \u201cmutafakkir shoir bobomiz aytganlaridek, bu dunyoda er yigitning eng buyuk, ezgu va muqaddas vazifasi, avvalo, o\u02bbz oilasi, Vatani va xalqini munosib himoya qilishdan iboratdir\u201d[1: 370].<\/span><\/p>\n

Mutafakkirning \u201cXamsa\u201dsi yoshlarda ma\u02bcnaviy-axloqiy sifatlarni shakllantirishga alohida o\u02bbz hissasini qo\u02bbshib kelmoqda. Komil inson haqida fikr yuritganda, eng avvalo, biz Alisher Navoiyni yaratgan asarlari va \u201cXamsa\u201dsidagi qarashlarini yodga olamiz. \u201cXamsa\u201dning dostonlarida Navoiyni badiiy-estetik qarashlari yoshlarning bir-birlariga yetishish yo\u02bblidagi og\u02bbir zahmatlari orqali yoritib beriladi. Masalan, \u201cLayli va Majnun\u201d, \u201cFarhod va Shirin\u201d kabi dostonlaridagi qiyofalar keyingi davrlarda yaratilgan sharq rivoyatlari bilan uyg\u02bbunlashib ketgan bo\u02bblib, ko\u02bbproq dostonlarning mazmunida fojiaviylikning namoyon bo\u02bblishini ko\u02bbrishimiz mumkin. Navoiy yaratgan qahramonlarning ichki his-tuyg\u02bbulari va kechinmalari badiiy-estetik qiyofalar jamiyatdagi ijtimoiy tuzum va xalqning og\u02bbir hayoti bilan bog\u02bblab yoritilgan. Dostonlarda muhabbat va ezgulik, do\u02bbstlik va hamjihatlikning birlashib yovuzlikka qarshi chiqishi, jamiyatda adolat va donolikning tantana qilishi masalalari aks etgan. Bu majoziy qiyofalarda dunyolar go\u02bbzallikka, kamolotga olib boruvchi milliylik g\u02bboyalari, ma\u02bcnaviy olamning serqirra jihatlari falsafiy tadqiq etilgan. Ushbu go\u02bbzal qiyofalar, yuksak axloqiy g\u02bboyalar dunyosidagi ijtimoiy hayotning nozik qirralari, badiiy-estetik omillar kishiga zavq bag\u02bbishlaydi. Navoiyning \u201cinson va ma\u02bcnaviy hayot, olamning yaratilishi va maqsadi, insonning taqdiri va baxt-saodati haqidagi chuqur o\u02bby-fikrlari, mushohadalari ikki buyuk tuyg\u02bbuda Muhabbat va Go\u02bbzallikda o\u02bbz ifodasini topgan. O\u02bbrta asr falsafiy she\u02bcriyatida go\u02bbzallik o\u02bbzining hissiy moddiy shaklida atrofimizdagi tabiiy muhit, borliq sifatida sharhlanadi, muhabbat esa hayotning o\u02bbzidir. Muhabbat kishilar dilida atrof olamga nisbatan samimiy his-tuyg\u02bbular uyg\u02bbotuvchi ma\u02bcnaviy kuch sifatida ifodalanadi. Go\u02bbzallikka erishish vositasi ham mana shu kuch \u2013 muhabbatdir\u201d[2: 169].<\/span><\/p>\n

\u00a0Alisher Navoiy yetuk shaxs, o\u02bbzida butun insoniy fazilatlarni mujassamlashtirgan komil inson sifatida tasvirlanadi. Alisher Navoiyning bag\u02bbrikengligi, kamtar va yuksak aql egasi ekanligi, mehr-muruvvatliligi, mamlakat obodligi yo\u02bblidagi sa\u02bcy-harakatlari, shoiru davlat arbobi va adolatparvarligi, insonparvarlik xususiyatlari shakllanganligini ko\u02bbrishimiz mumkin bo\u02bbladi.<\/span><\/p>\n

Biz buyuk mutafakkir Alisher Navoiy asarlariga nazar soladigan bo\u02bblsak, komil insonni voyaga yetkazishda milliy g\u02bboyaga bo\u02bblgan qarashlarini ko\u02bbramiz. Bundan tashqari, asrlar mobaynida xalqimizning orzusi, istagi, ideali bo\u02bblib kelgan milliy g\u02bboya albatta komil insonni voyaga yetkazishda dolzarb hisoblanadi. U to\u02bbg\u02bbrisidagi tushuncha, qarashlar va tasavvurlar turli davrlarda turlicha talqin qilingan. Komil inson to\u02bbg\u02bbrisidagi g\u02bboyalarning, takomillashuvi, uning qanday bo\u02bblishi, xarakteri, ilm-fan, madaniyat, ma\u02bcnaviy-axloqiy muhit, ijtimoiy taraqqiyot rivojiga bog\u02bbliq bo\u02bblgan.<\/span><\/p>\n

Bugungi kunda Alisher Navoiyning asarlarini har tomonlama o\u02bbrganish, unga yangicha yondashish boshlandi. Bu yondashishlar orasida Alisher Navoiy asarlaridagi komil inson g\u02bboyasini bugungi kundagi ahamiyatini tahlil qilish va uni qaysi uslubni qo\u02bbllab yoritish masalasi muhim o\u02bbrin egallaydi. Ushbu mavzu to\u02bbg\u02bbrisida oxirgi yillarda turkum maqolalar nashr qilindi, bu esa komil inson g\u02bboyasini tadqiq qilish hozirgi vaqtda g\u02bboyat dolzarbligini ko\u02bbrsatadi.<\/span><\/p>\n

Alisher Navoiy badiiy-estetik merosida ma\u02bcnaviy-axloqiy qarashlar, komil insonning xulq-odob qoidalari, insonning mehnatsevarlik, insonparvarlik va odamiylik kabi xislatlari, adolat, tabiat va insonni sevish to\u02bbg\u02bbrisidagi g\u02bboyalarini yoshlar ongiga singdirish masalalari dolzarb ahamiyat kasb etgan. Tabiat haqidagi qarashlarida tabiat va ekologiya qanchalik toza va ozoda bo\u02bblsa insonlarga quvonch, shodlik, ayniqsa, sog\u02bblik ato etishi haqidagi fikrlari go\u02bbyoki bugungi kundagi muammolarga nisbatan aytilgandek bo\u02bbladi. Bu g\u02bboyalar Alisher Navoiyning \u201cXamsa\u201dsi, she\u02bcriyati, g\u02bbazal va\u00a0 dostonlari, nasriy asarlarida o\u02bbz aksini topgan.<\/span><\/p>\n

Bundan ko\u02bbrinib turibdiki, bugungi kundagi yosh avlodni milliy g\u02bboya ruhida tarbiyalashda albatta Alisher Navoiy asarlaridan foydalangan holda faoliyatimizni olib borishimiz muhim hisoblanadi.<\/span><\/p>\n

Bundan tashqari, qadimgi va ilk o\u02bbrta asrlarda yashab ijod etgan buyuk donishmandlarning komil inson to\u02bbg\u02bbrisidagi falsafiy qarashlari, bu boradagi qimmatli fikrlari keyingi mutafakkirlar, xususan hazrat Alisher Navoiyning komil inson g\u02bboyasiga ham katta ta\u02bcsir ko\u02bbrsatdi va ma\u02bcnaviy-axloqiy qarashlari yoshlarni komil inson bo\u02bblib voyaga yetishiga muhim g\u02bboyaviy manba bo\u02bblib xizmat qildi.<\/span><\/p>\n

Yuqoridagilardan ko\u02bbrinib turibdiki, yoshlar tarbiyasiga sharq mutafakkirlari har bir davrda ijobiy fikrlarini bildirib kelishgan. Jamiyat va davlatda millatlararo totuvlik, bag\u02bbrikenglik g\u02bboyasining ahamiyati anglab yetilmasa, jamiyat va davlat\u00a0 hayotida turli ziddiyatlar, muammolar vujudga keladi, ular tinchlik va barqarorlikka xavf soladi. Bugungi kunda ham mamlakatimizda yashaydigan turli millat vakillari uchun teng imkoniyatlarni yaratilishi, ayniqsa, falsafiy masalalari davlat siyosati darajasiga ko\u02bbtarilib qonuniy asoslarda mustahkamlanganligini ko\u02bbrishimiz mumkin. Yurtboshimiz Shavkat Mirziyoyev nutqlari va ma\u02bcruzalarida yoshlarni ma\u02bcnaviy-axloqiy jihatdan tarbiyalash, millatlar va dinlararo tinchlikni ta\u02bcminlash, bag\u02bbrikenglik muhitini qo\u02bbllab-quvvatlash asosiy tamoyil sifatida ilgari surib kelinmoqda. \u201cMa\u02bclumki, bizning qadimiy va saxovatli zaminimizda ko\u02bbp asrlar davomida turli millat va elat, madaniyat va din vakillari tinch-totuv yashab kelgan. Mehmondo\u02bbstlik, ezgulik, qalb saxovati va tom ma\u02bcnodagi bag\u02bbrikenglik bizning xalqimizga doimo xos bo\u02bblgan va uning mentaliteti asosini tashkil qiladi\u201d[3: 296]. Bundan kelib chiqqan holda, yoshlarda badiiy-estetik merosni shakllantirishimiz, ma\u02bcnaviy-axloqiy qadriyatlar asosida tarbiyalash davlat siyosati darajasiga ko\u02bbtarilganligini ko\u02bbrishimiz mumkin.<\/span><\/p>\n

\u00a0 O\u02bbzbekistonda amalga oshirilayotgan ijtimoiy sohadagi islohotlardan ko\u02bbzlangan maqsad Navoiy va boshqa faylasuflarning har tomonlama yetuk komil insonni tarbiyalash borasidagi axloqiy sifatlarga alohida e\u02bctibor berilmoqda. Jamiyatda yoshlarning ma\u02bcnaviy ongini o\u02bbstirish va axloqiy kamolot darajasini yuksaltirish uchun keng imkoniyatlar va shart-sharoitlar yaratildi. Bu borada Alisher Navoiy o\u02bbzining \u201cXamsa\u201dsida yoshlardagi mehnatga zavqiy munosabat tabiiy ehtiyoj ekanligini ta\u02bckidlaydi. Uning \u201cFarhod va Shirin\u201d dostonidagi kanal qazuvchilarga Farhodning yordam berishi haqidagi\u00a0 mehnat go\u02bbzalligi bilan bog\u02bbliq jarayon yoshlarni estetik ruhda tarbiyalashda muhim ahamiyat kasb etadi. Farhod kanal qazuvchilarning og\u02bbir ahvolda ishlayotganini ko\u02bbrib:<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hunarni asrabon netkumdir oxir,<\/span><\/div>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Olib tufroqqamu ketkumdir oxir?!<\/span><\/div>\n

deb kanal qazuvchilarga yordam berishi va tez orada kanalni bitkazib, qaqrab yotgan cho\u02bbllarni gulzorga, bog\u02bbu rog\u02bblarga aylantirishi mehnatning evaziga kelgan rohatdir.<\/span><\/p>\n

Alisher Navoiy Farhod obrazi orqali yoshlarning jismoniy-aqliy qobiliyatlarini mehnat bilan uyg\u02bbunlashtirish lozimligi hamda mehnat barcha boyliklarning negizi ekanligini badiiy shaklda tasvirlab bergan\u201d[4: 94]. Shu boisdan farzandlarimizni sog\u02bblom va axloqiy yetuk sifatlarga ega qilib tarbiyalash bizning bosh maqsadimizdir.<\/span><\/p>\n

Davlatimiz rahbari o\u02bbzining ma\u02bcruzalarida doimiy ravishda yoshlarning ertangi kunini Navoiy ijodi bilan uyg\u02bbunligi borasida so\u02bbz yuritadilar. Shavkat Mirziyoyev ta\u02bckidlaganidek, \u201cbugungi kunda shiddat bilan o\u02bbzgarib borayotgan hayot oldimizga qo\u02bbyayotgan bir-biridan murakkab va muhim masalalarni hal qilish haqida o\u02bbylar ekanmiz, ularning yechimi aynan ta\u02bclim-tarbiya bilan, yoshlarning dunyoqarashini zamonaviy bilim, yuksak ma\u02bcnaviyat va ma\u02bcrifat asosida shakllantirish bilan bog\u02bbliq ekaniga yana bir bor ishonch hosil qilamiz\u201d[5: 448].\u00a0 Yoshlarning ma\u02bcnaviy-axloqiy sifatlarini oshirishga e\u02bctiborni kuchaytirish, yosh avlodni madaniyat, san\u02bcat, jismoniy tarbiya va sportga keng jalb etishda Navoiy asarlarining o\u02bbrni kattadir.<\/span><\/p>\n

Yoshlar kamolotida muhim o\u02bbrin tutgan Navoiyning axloqiy va badiiy-estetik g\u02bboyalari inson qalbidagi eng nozik va go\u02bbzal tuyg\u02bbularni ifodalab, ezgu amallar qilishga barchani chorlaydi. O\u02bbzbekiston Respublikasi Birinchi Prezidenti I.Karimov shoirning milliy adabiyotimiz tarixida tutgan o\u02bbrni haqida ta\u02bckidlaganidek, \u201cAlisher Navoiy xalqimizning ongi va tafakkuri, badiiy madaniyati tarixida butun bir davrni tashkil etadigan buyuk shaxs, milliy adabiyotimizning tengsiz namoyandasi, millatimizning g\u02bbururi, sha\u02bcnu sharafini dunyoga tarannum qilgan o\u02bblmas so\u02bbz san\u02bcatkoridir. Ta\u02bcbir joiz bo\u02bblsa, olamda turkiy va forsiy tilda so\u02bbzlovchi biron-bir inson yo\u02bbqki, u Navoiyni bilmasa, Navoiyni sevmasa, Navoiyga sadoqat va e\u02bctiqod bilan qaramasa. Agar bu ulug\u02bb zotni avliyo desak, u avliyolarning avliyosi, mutafakkir desak, mutafakkirlarning mutafakkiri, shoir desak, shoirlarning sultonidir\u201d[6: 47].<\/span><\/p>\n

Alisher Navoiy falsafasining estetik jihatdan jozibadorligi sirini, uning estetik ong evolyutsiyasining qanday bosqichiga tegishli ekanini tasavvur qilish imkoniyatiga ega bo\u02bblamiz. Chunki ayni shu falsafa oliy aqlning emas, hatto nurlangan aqlning ham emas, balki estetik merosning mahsuli ekanligi bilan alohida ajralib turadi. Nizomiy Ganjaviy, Husrav Dehlaviy, Abdurahmon Jomiy, Alisher Navoiy, Farididdin Attor, Jaloliddin Rumiy, Sanoiy, Hofiz, Sa\u02bcdiy va boshqa buyuk zotlarning poetik-falsafiy ijodi esa ayni shu estetik ilhom pog\u02bbonasiga tegishlidir. Ularning asarlari oddiy poeziya emas,\u00a0 balki \u201cAn al-Haq\u201dlikka erishgan zotlarning falsafiy-estetik poeziyasidir. Zero, bu poeziya estetik meros mahsulidir.<\/span><\/p>\n

\u00a0\u201cAlisher Navoiyiing badiiy-estetik qarashlari ko\u02bbplab olimlar tomonidan tadqiq qilingan. Biroq shoirning estetik olami badiiy ijodi kabi cheksiz va bepoyondir. Biz uning go\u02bbzallik, ijod jarayoni, ilhom va nafosat haqidagi qarashlari, fikrlarini ko\u02bbzdan kechirganimizda hali qator masalalar yoritilmaganligi, ulug\u02bb mutafakkirning salohiyati va tafakkuriy qudratini belgilovchi xizmatlari yetarli bahosini olmaganini ko\u02bbramiz. Uning asarlaridagi estetik qarashlarida ayrim mulohaza va fikrlar ham yangi davr, yangicha fikrlash talabi bilan o\u02bbzgarishga uchradi\u201d[7: 11].<\/span><\/p>\n

Navoiy badiiy-estetik merosi yosh avlod uchun zarurligini uning yaratgan asarlaridagi falsafiy mushohadalar orqali ham anglab yetish mumkin. Uning fikricha, insonning go\u02bbzalligi uning tili orqali namoyon bo\u02bbladi. Ana insonda til bo\u02bblmaganda edi u o\u02bblik odamdan farqlanmas edi. Ana shu tilgina insonga tiriklik baxsh etdi, shu orqali ezgulik, adolat yo\u02bbliga kirdi.<\/span><\/p>\n

Navoiy asarlarida yorga vafo, sevgi, muhabbat mazmunidagi g\u02bboyalar ko\u02bbp\u00a0 uchraydi. Bu, bir tomondan, axloqiy xarakterdagi fikrlarning bayoni sifatida ifodalansa, ikkinchi tomondan, odamning psixologik xususiyatlari ichki kechinmalari, ruhiy holati, xatti-harakatining bayonida o\u02bbz ifodasini topgan. Navoiy kishining va\u02bcdasiga vafo qilishini, aytgan so\u02bbzining ustidan chiqishi kerakligini asosi deb biladi.<\/span><\/p>\n

Navoiyning badiiy-estetik qarashlari yoshlarni milliy g\u02bboya ruhida tarbiyalashga qaratilgan falsafiy dunyoqarash bilan uyg\u02bbunlashgan. Uning asarlarida aks etgan qahramonlarning obrazlari yoshlarni Vatanga muhabbat, yorga sadoqat, yurtga sodiq, o\u02bbz tanlagan kasbiga fidoyi qilib tarbiyalashni ko\u02bbzda tutadi. Navoiy nazdida badiiy-ilmiy meros Allohdan inson qalbiga nuzul etadigan juda nafislik nur irmog\u02bbi bo\u02bblib, u tafakkurdan behad yuksakdir. Ayni paytda u inson qalbiga ortiqcha zo\u02bbriqishsiz, sodda va ravon oqib kiradi. Shunday ekan, shoirning yaratgan asarlari va boy adabiy-estetik merosidan insoniyatning bahramand bo\u02bblishi, xalq dardini ochib berishi barchamizni ogohlikka, ezgulik yo\u02bblida adolat bilan mehnat qilishga chorlab qoladi.\u00a0<\/span>\u00a0<\/strong><\/span><\/p>\n

FOYDALANILGAN ADABIYOTLAR<\/strong>:<\/strong><\/span><\/div>\n
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    Mirziyoyev Sh.M. Niyati ulug\u02bb xalqning ishi ham ulug\u02bb, hayoti yorug\u02bb va kelajagi farovon bo\u02bbladi. 3-jild, \u2013T.: O\u02bbzbekiston, 2019.<\/span><\/div>\n<\/li>\n
  2. \n
    O\u02bbzbekistonda ijtimoiy-falsafiy fikrlar tarixidan. \u2013T.: O\u02bbzbekiston, 1995.<\/span><\/div>\n<\/li>\n
  3. \n
    Mirziyoyev Sh.M. Milliy taraqqiyot yo\u02bblimizni qat\u02bciyat bilan davom ettirib, yangi bosqichga ko\u02bbtaramiz. 1-jild. \u2013T.: O\u02bbzbekiston NMIU, 2018.<\/span><\/div>\n<\/li>\n
  4. \n
    G\u02bbaybullaev O. Shaxs ma\u02bcnaviy kamoloti va estetik madaniyat. \u2013T.: Chashma print, 2008.<\/span><\/div>\n<\/li>\n
  5. \n
    Mirziyoyev Sh.M. Xalqimizning roziligi bizning faoliyatimizga berilgan eng oliy bahodir. \u2013T.: O\u02bbzbekiston, 2-jild, 2018.<\/span><\/div>\n<\/li>\n
  6. \n
    Karimov I.A. Yuksak ma\u02bcnaviyat \u2013 yengilmas kuch. \u2013T.: Ma\u02bcnaviyat, 2008.<\/span><\/div>\n<\/li>\n
  7. \n
    Qudratullayev H. Navoiyning adabiy-estetik olami. \u2013T.: G\u02bbafur G\u02bbulom nomidagi Nashriyot-matbaa birlashmasi, 1991.<\/span><\/div>\n<\/li>\n<\/ol>\n
    Nafisa EGAMB\u0415RDIYEVA,<\/strong><\/span><\/div>\n
    Navoiy davlat pedagogika instituti o\u02bbqituvchisi<\/strong><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

    Markaziy Osiyodan yetishib chiqqan mutafakkirlar ichida o\u02bbzining boy badiiy-estetik merosi bilan kelajak avlodlarga noyob asarlar qoldirgan davlat arbobi, shoir Alisher Navoiyni butun dunyo ahli yaxshi biladi. Bugungi kunda O\u02bbzbekistonda shoir badiiy ijodidan bahra olmagan inson topilmasa kerak. Uning boy estetik merosini milliy g\u02bboya va qadriyatlar bilan uyg\u02bbun ravishda o\u02bbrganish borasida juda katta ishlar amalga oshirilib …<\/p>\n","protected":false},"author":1,"featured_media":21360,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[639],"tags":[],"yoast_head":"\nALISH\u0415R NAVOIYNING EST\u0415TIK M\u0415ROSIDA MILLIY G\u02bbOYA MASALALARINING FALSAFIY TAHLILI - Imom Buxoriy xalqaro ilmiy-tadqiqot markazi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bukhari.uz\/?p=21362&lang=oz\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ALISH\u0415R NAVOIYNING EST\u0415TIK M\u0415ROSIDA MILLIY G\u02bbOYA MASALALARINING FALSAFIY TAHLILI - Imom Buxoriy xalqaro ilmiy-tadqiqot markazi\" \/>\n<meta property=\"og:description\" content=\"Markaziy Osiyodan yetishib chiqqan mutafakkirlar ichida o\u02bbzining boy badiiy-estetik merosi bilan kelajak avlodlarga noyob asarlar qoldirgan davlat arbobi, shoir Alisher Navoiyni butun dunyo ahli yaxshi biladi. Bugungi kunda O\u02bbzbekistonda shoir badiiy ijodidan bahra olmagan inson topilmasa kerak. 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